Compare engines. Up to four at once.

PA · FOH · rig · IMAG · content.

The technical heart of the show — PA design, FOH mix, lighting rig, IMAG cameras, screen content. One engine to specify, prep, dial and capture every technical surface.

• ·AV is where the show is heard, seen and remembered. The AV engine treats PA, lighting and video as one system, not three vendors.
• ·PA design, FOH mix, lighting rig, IMAG cameras and screen content all share one cue clock and one set of artist-approved looks.
• ·Mid-tour optimisation — small mix changes, lighting tweaks, content swaps — captured and pushed to every show after.

• PA design

  Venue-modelled PA plot, line-array hangs and delay rings with measured coverage.

• FOH mix

  Mix templates, scene snapshots and broadcast splits per song.

• Lighting rig

  Fixture plot, automation and intensity ramps modelled against venue power.

• IMAG cameras

  On-stage and FOH cameras with latency-managed video streams.

• Screen content

  Pre-rendered content, live IMAG and generative looks per song.

• Capture-grade

  AV configured to capture broadcast-grade isolated stems and clean cuts.

1. 01

   Venue-modelled PA, lighting and video designs locked Day −60.

2. 02

   FOH templates and content reels prepped to artist approval.

3. 03

   Build days dial coverage, latency and looks against the venue.

4. 04

   Show captures stems, ISO cameras and cue logs for every department.

• Same artist-approved sound and look in every venue.
• Broadcast-grade capture available without disturbing the in-room show.
• Mid-tour technical optimisation pushed to every subsequent show.
• Power and rigging budgets respected by design.